This is a guide of beauty spots in Nara that was published in Edo. The name of the illustrator is not mentioned, but it is said that the style is specific to Hishikawa Moronobu.

This picture book printed in black ink was published to appreciate pictures painted by Hishikawa Moronobu. This book focuses on well-known scenes of Japanese classics.

This is the first ukiyo-zoshi, a kind of novel in the Edo Period, written by Ihara Saikaku (1642 to 1693). It is said that Saikaku drew pictures for printing plates for the illustrations. This version was printed by a publisher in Osaka.

This version was printed by a publisher in Edo. The illustrations were painted by Hishikawa Moronobu, the most popular painter at that time, but he reproduced the Osaka version.

This picture book was created under the theme of the full moon: full moon pictures are accompanied by comic tanka called kyo-ka. The pictures are painted by Kitagawa Utamaro (1753 to 1806). This is a masterpiece of multicolor picture books with realizing delicate blind tooling and subtle shades.

This is a illustrated book of Chinese poems created under the theme of spring landscapes in Kyoto. This book is printed by patting on wet paper placed on the concavely engraved woodblock with a cloth-covered cotton ball containing black ink.

These books contain model pictures by Ooka Shunboku (1680 to 1763), a painter. For these books, he reproduced famous flower paintings in the Ming Dynasty, China. The pictures were colored by three methods: block printing, stenciling called kappazuri, and brush painting. This title was planned to be a three-volume material, but volume III was not published.

This is another version of No. 74, which was printed by a different publisher in later period. By supplementing more one volume, this complete version consists of three volumes. Although the block printing parts are the same as No. 74, the stenciled and brush-painted parts are different.